How would we interpret the term "live art"? And what is the necessity, on a historical-social-political level, to approach the phenomenon of art as a condition of the "living", in the case of an active realization of it and vice versa? But is this true? Or does art in contemporaneity constitute a process that is institutionally validated within the framework of a dominant logic of aesthetics and the commodification of the artwork? So the question arises: what is an artwork today?