Selected Store
Skroutz Buyers Protection
Set the delivery location to see products according to your choice.
© 20[0-9]{2} Skroutz SA All Rights and Lefts reserved. FAQ | Terms of use | Privacy Policy | Cookie Policy
Selected Store
Skroutz Buyers Protection
Art Books
Art Books
Art Books
Prices are calculated for:Malta, Other Payment Options
Four artists who are today relatively or almost entirely unknown - one woman and three men - nevertheless played a part in the aesthetic upheavals that led to abstraction in 1940s Montreal. Very active in the art milieu throughout the decade, Marian Dale Scott, Fritz Brandtner, Henry Eveleigh, and Gordon Webber captured the attention of critics of the time, who employed the term "abstract art" to describe both non-objective works and bold formal explorations that retained some reference to visible reality.
An examination of these artists' practices reveals a remarkable openness to international contemporary art trends - French, German, British, and American. Their work and its critical reception conjure a complex picture of the debates on abstraction that took place in Montreal during the 1940s, so often reduced to the controversies surrounding the emergence of the Automatiste movement. The artistic innovations of Paul-Emile Borduas and his group and the radical tone of their 1948 manifesto Refus global cemented their status as Quebec's abstract avant-garde but also had the effect of eclipsing other visions of abstraction being explored during the same period.
Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.