If we can be sure about one thing in the case of Thomas Sterns Eliot, then that is his ambiguity. Ambiguity or, if you prefer, "duality". The deliberate duality that the poet himself chose in order to bring his poetic persona to the dimensions of the universal, revealing through the way of concealment and concealing through the way of revelation. In the translation by Giannis Antiochos, which includes the works "The Waste Land", "The Love Song of J. Alfred Prufrock", and "The Hollow Men", the reader will encounter on the one hand a new proposal for reading this part of T.S. Eliot's poetic work, based on the accuracy of the words that were chosen to be rendered in Greek points that have remained until today either obscure or misunderstood, and on the other hand a complex and radical epilogue in which the translator reveals the true nature of the characters that parade in the poems like in an earthly (and not underground) Nekyia. A Nekyia of the living and not the dead, as well as a Nekyia of the dead who were condemned to live.