"Can there be art after Auschwitz?"
Faced with the above question that Adorno posed negatively but also with the spectrum of a Citizen Kane, a solitary self, the center of the kingdoms of the omnipotence of one social universe that leans in the twilight, in the cosmic universe like a prelude to a dreamy dawn, seeing this vision flowing like an indivisible visual ocean on the cinema screen and hearing the archetypal voice of the great teacher Pascal.