This small volume collects theatrical studies that are partly related to specific publications of other researchers and partly have a broader perspective. They cover both the theoretical and methodological field of theater, raising broader considerations about the role of theater in society, its reception, the relationship between stage and dramatic text, the desired pedagogical goal of academic teaching in the field, as well as the field of historiography, illuminating thematic aspects of social theater, verbal improvisation, the role of nature in acting schools and nature in theatrical scenography, as well as the political role of stage art in specific historical moments. The medieval years, the Renaissance, the Baroque, the Enlightenment, Romanticism, the pre-revolutionary years before 1821, as well as the 19th and 20th centuries are covered. The specific themes extend both to the international field of European theater and to the Balkans, with particular emphasis on Greece.