This book is an attempt to explore domestic film production. In its two sections, "From early Greek cinema to the era of mass production" and "From the New to the contemporary Greek cinema," the Greek cinema is presented and analyzed from as many perspectives as possible as a cultural-artistic phenomenon that reflects Greece's social, political, economic, and cultural trajectory.
The most important feature of this volume is the variety of methodological approaches to Greek cinema, as the researchers participating in this publication come from different fields and scientific disciplines, combining film studies with theoretical approaches from the fields of historiography, sociology, anthropology, urban planning, musicology, and gender studies. In addition, it covers a wide range of unexplored topics concerning Greek film production throughout its history and the reception of Greek films by the audience.