In this particular work, the logical chain of reasoning is interrupted every so often, as the characters take off the garment of the whole and dress in that of the actor playing the role. Thus, the seemingly dramatic development of the work is interrupted and the audience travels from dramaturgy to reality and back again. But what reality, when it is also pre-constructed and destined to interrupt the action, only to naturally continue it a little later? The spectators do not identify with the characters of the play, as the director and actors intervene as theatrical Entities, confirming the theory that when Life becomes Art, as often happens in theater, it needs to be reminded to the audience that they are watching a simulation of life. The audience is a collection of people with malleable disposition and availability, who in their daily lives see a fake rose and say "Beautiful like real" and later a real rose and say "Beautiful like fake."
This back-and-forth between reality and construction is achieved in the work of the ingenious Pirandello.